Today, more than ever, we are taught too
quickly by brands what we are lacking before we even know it or given a gentle
affirmation of what we may have already suspected. Dove has been a pace setter,
working to use its brand and loyal following to correct a mass ill-alignment of
personal perception held by women worldwide.
Dove’s latest beauty campaign, quite
literally examines the personal and external perception of oneself. The short
video campaign uses blind sketching by former FBI trained forensic artist, Gil
Zamora to provide two views of one woman and to promote an understanding of true
beauty.
The women were asked to describe
themselves while being sketched blindly, all describing themselves in a lesser
light; thinner lips, bigger noses and wider foreheads, all common soft spots
and targets for marketers everywhere. Zamora then recreated seven profiles based on
descriptions provided by strangers who had met with the women earlier. The
sketches were more accurate and complimentary. The women were then shown both
sketches. This beauty study saw women understand the gap between personal and
external perception.
‘It impacts the friends we make, the
jobs we apply for, how we treat our children – it impacts everything. It couldn’t
be more critical to our happiness.'
Dove has been famed in recent years for
its advertising and marketing which has always looked to engage and invite
women to embrace natural beauty, not to create or remove it. The world of
beauty is no longer beautiful as much as it is judgmental and we have all
fallen victim to convincing marketing ploys. By gaining the respect and loyalty
of women, Dove enhances its brand by affirming that their family and its
products are not for body (or confidence) improvements, but for sustainability
and celebration of inherent beauty.
The video has since gone viral, tapping
on the shoulders of women (and men) everywhere and sending out a positive affirmation.
Dove conducted this experiment to ‘prove something very important: You are more
beautiful than you think.’
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